Now What?

You’ve just closed a show. You’re sad, you’re tired, and you’re bored out of your mind. You’ve gone from practically living in the theater to an abundance of free time. So how do you fill it?

Well, if you know what your next show is, start researching it and planning your audition material! Start making a decision on your top choice roles, find a song and/or a monologue or two to audition with, and think about characterization decisions you’ll make if you’re asked to read for a specific role.

See shows!! Support other community/school theatres.  Return the favor to all the friends that came to support you. You spent your time bringing joy, laugher, and tears to the eyes of your audience, so settle in and enjoy someone else doing all the work while you relax and take in a show.

Get ahead on projects for school or work that will get pushed right back onto the backburner as soon as you start your next show. Right that big paper, get that stack of paperwork off your desk, or just get more organized.

Hang out with your friends! Chances are they’ve heard the phrase, “I can’t, I have rehearsal,” more times than either of you can count; so take advantage of the extra time while you still have it.

Read. If you have a TBR pile like mine, you probably have books falling off your shelves… maybe you can knock a few off before your next show.

Take some time to relax. Shows are taxing physically and mentally, some take a heavier toll than others. It’s important to give yourself at least a couple days to decompress before you throw yourself into the next project. Take a bath, light your favorite candle, snuggle your pet, do whatever makes your heart feel cozy.

What is your favorite way to combat the post-show blues?

Until next time,

Break a leg,
-Brandi
find me on social media,
twitter: @bwaybrandi
Instagram: @sugarbutterbrandi
snapchat: broadwaybrandi
email: brandinyc525600@gmail.com

 

Tips for Memorizing a Script on a Time Crunch

Not all rehearsal processes are created equal… I  have been in shows that have a three and a half month rehearsal process and I have been in shows with a two and a half week rehearsal process. Needless to say, those two time frames offer very different options for learning your lines. As I procrastinate learning my lines for my current show a little further, I’ll share with you the tip and tricks I’ve used for past shows, and the ones I should probably use today…

  1. Read through the whole script when you get it… don’t just skim for the parts with your lines– This is important because it provides the entire context of the show. Some of your lines won’t make sense to you without knowing things that happen in scenes you aren’t in. Something that happens in a scene you aren’t a part of could have a big impact on your character later so it’s important that you understand the full context. Not only will your lines make more sense to you, but it will give you connections, which make them harder to forget.
  2. Always say the lines in your character voice– It will make a difference when you get off book if you’re suddenly changing how your saying them. I guarantee it will be harder to remember them if you have to focus on how your saying them, rather than having them memorized in the character voice.
  3. If lengthy monologues are kicking your butt– Read it through, out loud, read off the first sentence, say it without looking, then add a sentence or phrase and read through it again, repeating until you’ve said the whole thing, write it out while looking at it, write as much of it as you can without looking, recite as much as you can without looking, and repeat until it’s memorized!
  4. Write out all your lines and cue lines on notecards (yes, all of them.)– Write the cue on one side and your line on the back. Not only is the final product helpful to flip through when studying your lines (and it gives you a way to see your cue line without your line easily visible under it) but the actual act of writing out the lines will be helpful to learning it.
  5. Watch clips and videos (and the movie version if there is one.)– hearing other people say the lines and seeing different variations on how the character is played has always helped me learn my lines and make character decisions.
  6. Carry your script with you EVERYWHERE– If you have a spare moment at anytime, you should be pulling out your script to look over a scene or two. Always be looking for a quick break to look over your script.
  7. Look at it first and last– Make it the first thing you look at in the morning and the last thing you look at before you go to bed at night. This makes it prominent in your mind, as you’re more likely to be thinking about it throughout the day.

Happy line learning!

Break a leg,
-Brandi
find me on social media,
twitter: @bwaybrandi
Instagram: @sugarbutterbrandi
snapchat: broadwaybrandi
email: brandinyc525600@gmail.com